A contemplative poem that looks back at a strange historical moment. In “Napoleon at the Pyramids,” Greg Luti wonders what the French general truly saw — and felt — when he was left alone inside the ancient Egyptian pyramids. What do you think Napoleon saw when he was left alone in the Pyramids? Did he see anything at all? Or was it merely a myth? Perhaps the would-be emperor saw nothing and this very idea is nothing more than speculation, a fancy imagination, similar to that of Alexander the Great being a member of Camelot. Fascinating for the figures involved, but nothing nearly true involved. There are some who think that Napoleon had something happen to him when he was left alone in the pyramids. Before he went back to France. Before the Revolution took over the country. Before he went through the ranks of the military. Before he conquered Europe. Before Europe conquered him. And before he was then written into the imagination of every person on Earth. The man who dreamed of saving his nation, rose during the revolution to be become king, and in military genius helped that nation become the most powerful nation in the world. But alas, his ambition was too strong, and the enemies rose up against him, to take his throne. After taking his throne, they exiled him, and vanquished him to another land. Only for his people to still want him to be their king. The former general with nothing more than wits and new recruits defended his nation one last time, proving to all that his greatness was never to be questioned. The story of Napoleon is one that many writers take a lifetime trying to conjure up. I’d like to think while in the pyramids, he saw something un-nerving, something unusual, something that gave his total life more meaning. Perhaps the French Emperor sold his soul to a spirit in the pyramid, some ancient deity that told lies to the then-general. “Napoleon, Napoleon.” The voice whispered. “I know who you are. Who you dream to be. Listen to me, and you can be all of that and more.” “What is it you want?” The frightened General asked. “I want you Napoleon to be who you were meant to be. Napoleon the general. Napoleon the hero. Napoleon the emperor. Napoleon the god.” The French emperor said nothing. “France needs a savior. You know that. Your country is in ruins. Your people are lost. What are you to do about it? You are here in Egypt, but yet France is bleeding. Save her. Save your country. Save the world.” “How do I do such a thing?” “War….” Then the French general saw images of battles. “Have the best weapons, The best soldiers, Lead by you, the best general. Trample all who wish to destroy France. Grab the throat of her enemies, and don’t let go until they are all uttering one word. Viva la Francia!” “I don’t understand. Why do I need you then?” The French general asked. “What are you to all of this?” The mysterious voice whispered back, “Silly Frenchman. I will make it all happen. I will be there with you as you drive the swords in the chest of your enemies. When the cannons go off, I will lead them for the heads of your adversaries. I will guarantee that none on this Earth shall ever beat you in a battle. I can make you the greatest general who ever lived.” The French general contemplated for a moment, for he did not know what to make of what he has been told. “All you must do is give me your soul. Give me who you are, and then I give you who I am. I will then be with you.” “I can do this without you, surely.” Then appeared in front of the general a large black creature that can only be described as a monster. It appeared to be with that of a face that had human elements, with two eyes, a mouth, and a nose, but that is all. You did not notice the eyes or the mouth, or the nose, as the corpse-like nature of the creature took attention. It was not a zombie though, nor even dead or alive. This gray figure, had marks on its face, as though it was a rock more than any person, but the hollowness of its face suggest a spirit was there, not a physical being. “You dare question a god!” The French general’s face turned to white, as he had seen more than a ghost. He had seen a being from the very depths of Hell. The figure continued, “I am the god of war! I conquer all who defy me! Men are nothing to me. I have poured more blood of men than there is ocean water. Long before you were even born, I killed. When you are gone, I will kill again. And yet you dare question me! You either leave this pyramid agreeing to our deal, or you don’t leave at all.” Now crying, the French emperor wiped the tears from his eyes. They were not tears of hurt, but fear. “I will do it…” He agreed. “For France, for my country, and my people.” “They need a leader as selfless as you.” And so Napoleon gave his soul to this war god that preyed upon him in the Pyramids. That is why Napoleon never uttered a word to anyone about such an event. For how do you tell people that you were forced to sell your soul? You didn’t do it for fame or fortune, but because if you didn’t do it the creature threatening you would take your life. Are you better with a life with no soul, and a chance to regain back your soul? Or a soul with no life, and no chance to regain back your life? I want to think that a part of Napoleon thought he could get his soul back when he was done with the conversation. As he walked out of the pyramids, for a brief second, he believed enough in himself that somehow everything would be alright, regardless of how foolish such an idea can be seen now. He thought that he truly could conquer the world, and then use that power to get his soul back. He was not after Russia. He didn’t want to save France. He was creating an army strong enough so that he could march back into Egypt and declare that his soul for himself. That is what I think of when I hear about Napoleon going to the pyramids.

A poem that takes a harder look at a familiar idea. In “Hard Work,” Greg Luti questions the myth that effort alone explains success and considers what real grinding actually costs. Hard work is a lie. It is a lie told to you by above average individuals when they are asked why they are successful. The geniuses don’t claim that they needed to work hard to be great. No. They have natural talent. They don’t need to work hard. There is a difference between working hard to improve and working hard to maintain. Geniuses work hard so that they can still be in the field, and knowledge of their craft To make their muscle memory awake and ready to go. Everyone else works hard so that they can improve their skill, the skill that the genius has without any work. A Lamborghini doesn’t need to be told to go fast. It only needs maintenance. An 18 wheel truck will never go fast. No matter how much it wants to. The world is full of 18 wheel trucks that believe with enough refinements they can become a Lamborghini. But that is not how the world works. Of course, the genius doesn’t tell you this lie of hard work. Why should they? What do they get out it? They appear to be disenchanted with society, detached from the audience with this opinion. So they go along with this lie. They pretend that it is hard work for why they are successful. This allows them to be humble to the audience and respected by their peers, who are actually working hard, and yet, for some reason, can’t keep up with the genius. On the other hand, the one who can never be the genius, the one who has enough skill to be professional, but not enough to be remembered for their contributions, has to say they are there because of hard work. Why else are they there? For the natural talent everyone sees in them? That belongs to the genius, not them. When someone tells you they work hard, what they are really saying is they lack the ability to make it easy. Hard work is a lie. And it’s a pretty good lie too. Because what 18 wheel truck doesn’t want to be told it can be a Lamborghini one day?

Greg Luti’s flash fiction “William Meets Alexander” follows two men from very different worlds who cross paths in an ordinary moment — a brief, charged encounter that quietly challenges everything they believe about status and success. “Are you the king who is known to walk across oceans and beat armies of all sizes? Even other kings envy you, I hear.” “I come for the book I had asked for some time ago.” “Oh, that was you? I thought it was the other Alex…” “Excuse me?” “I’m kidding. I’ll go get it.” William goes to get a copy of The Iliad. “Here you go. Must be fun walking all those miles in sandals. Loneliness on top only ever knows itself, I imagine.” “The road that none have gone before is empty… yes.” “And yet the only friend you had on that road says nothing to you.” William gestures to the book. “The Iliad, a myth just for you….” It makes you wonder what a king is if a myth does not make him a god. Nothing more than a king in a castle no one ever sees.” “Myths are written about those who leave the castle and lead their people from the front.” “Myths are fabrications of the world, falsehoods of broken promises. For how can a great man ever show empathy when he is never like others?” “You measure greatness only in the physical, but it is much more than that.” “Yes it is. All greatness needs tragedy, for who is Achilles if he doesn’t fight?” Alexander pays William and takes the book. “Thank you for this.” “You know what part of the Iliad I like the most?” “No. What?” “When Homer asks, ‘Do kings listen to the peasants for counsel or to reinforce their own kingship….’ Makes you wonder…. Enjoy the book.”

Greg Luti’s poem “Wrong Answer for the Teacher” explores his decision to chase writing instead of following his family into teaching — weighing the pursuit of happiness against stability, risk, and all the what-ifs that come with choosing a creative life. Teaching is a touchy subject for me. I come from a family of teachers. My friends are teachers. Everyone I know is a teacher. Expect me. I do not teach. I have never stood in the front of a room as degenerate children stared at me wondering what was tonight’s homework. I never taught a kid extra help on a topic I was not that interested in. I don’t know what it is like to send a kid to the nurses office or to the principal. I write. That is the stupid decision I made with my life. Did I get a girl in college pregnant? Did I commit a crime? Did I cheat on a friend? No, I choose to pick a career that had very little chance for success, basically no chance for financial stability, and may very well be my reason for depressed thoughts. All in the name of my own happiness, because I enjoy this. This… mockery of madness. This sham of sentences, this forgery of fonts. This message of meandering meaningless muses. There was a time I was a teacher. Me…. A teacher…. Let that sink in for a second. I taught kids. Which, makes two bad decisions I made in my life. (Possibly three, because there was a girl back in college who I am not sure about) As I learned of these strange looking creatures we called children, I felt for them. I saw that they are not sure of what is really going on. They are going wherever they are being told to go. They go soccer (finish this) I am going to feel so bad for these kids, when they learn that the questions that really matter to them are never answered by school. They will become an adult, already regretful of their lost youth, and then they will not know of life’s purpose or meaning. Only an artificial meaning they gained through years of misdirection, test taking, and false equivalencies. You go to school for your whole childhood. Your schooling defines your youth as much as anything else. You spend more hours in a classroom with strangers who you only share an age with, and by the time you leave school, you are no longer a child. But an adult with adult problems. You are in debt, expected to start a family, and no wiser of the world around you. So you must find a job. Get a girl. And know of the world. Know of the world…. That’s a funny thing to say. How can anyone know of the world, when we barely know ourselves? What does this… Any of this mean? Does anyone know? Does anyone care? Is anyone even interested in finding out? Or are we all supposed to learn the grammar rules of the English language, as if that means anything. I before e expect after c. Oxford commas are not needed. Explicit is clearly state, Implicit is not. Or of the lessons in books, or history or the other subjects. Learn of the math. Learn of the sciences. Learn of the history. Learn it all. Get the grades. Go to the good school. Maybe that will distract you from the emptiness you feel of your place in this world. Distract yourself from the questions never asked. Ignore the meaning you seek. Don’t even think about life itself. Run from the truth. That is the lesson that the schools teach kids. The truth is… optional to know. Until that fateful Tuesday morning that you start to question every life decision you ever had while eating a bowl of cereal. Where did you go wrong? Are you the problem? Can you blame the school for messing you up? Maybe it was your parents? How about that one moment with that one older kid that you would rather not talk about? That is why as you sit in your underwear pouring some milk into the bowl, you are empty. You were told of the truth that is in this world. You lied your way through life. And now, as you sit down to have some breakfast, the truth caught up to you. It wants to know why you never asked of it. You never sought it out. Nor did you call upon it. You acted as though the lies you knew were the truth. That is not how truth works though. Which is why it hit you harder than anything you ever knew. Harder than when you heard that the girl is pregnant, or when you didn’t get accepted into your dream job, or when that older kid did those things to you. You can’t live your whole life running from the truth and expect it never to come back to you. But hey, at least we all learned what an apostrophe is, right?

Greg Luti’s poem “Blood on the Page” explores the intense pressure a poet feels to bleed all his darkest secrets and hidden truths onto the page — the raw, unflinching confession a “good poet” is supposed to make. I was going to bleed all over the page here for you as a good poet should. Good poets are adept at confessing things to their audience that no one really wants to hear. When a soul confesses their life, though, it is okay and acceptable all of a sudden. I was going to spill my soul in between the lines. Allow every vowel to have a piece of it. The odd lines can have my good deeds, and the even lines can have my bad deeds. Or maybe I can randomly spill my soul all over the place. The beginning of this will have the most. I was going tell you all of me with these wicked words. These disgusting, sick thoughts and ideas that I had. To allow you to see inside my mind and that there are things that go on in there that I don’t want you to know. Wicked, disgusting, sick things. I was going to expose each lost secret I kept, each guarded dream I had. Through the years, I have kept things to myself and never told anyone about them. I had hopes in my life of what I was going to be. I was going to tell you all of that. But when I sliced my skin, nothing came out. No blood spilled from my veins, for no blood was in me. Only dust left my jaded temple. I had to double-check to see if I had no blood inside of me. Upon further inspection, there was not an ounce of blood in my body; nothing ran through me but myself. I was about to give you my soul and all that it was, is, and can be. The secrets, the wicked words, the secrets But I need to have a soul first. Over the years, as I grew older, I grew colder, and all that is in me now is the coldness I feel inside. My body temperature is normal. I have no cold. I don’t have a fever. Yet all that is in me is colder than Mr. Freeze. I tried to harden my outside temple so as to shield myself from the dangers of this world, Of the things that push me down and feed on my failures. Little did I know, I was killing myself by hardening the very soul I tried to protect. I wish I remembered what it was to be a human with emotions. To cry real tears of sadness. To love with real passion. But each time I thought I was being tough, I was destroying myself. I destroyed the sadness in me. I no longer know how to cry. I destroyed the love in me. I no longer know how to love. I destroyed the human in me. I no longer know how to feel. Now, I am left with an outer broken shell and the lost memory of a soul I once had. One that knew of sadness and tears. That could love myself and my lover. One that knew of the full experience of being human. My body once had blood I could spill for you. My spirit had a soul I could share with you. But I destroyed them. Now I wonder what it ever felt like to have them.

A writing and editing advice post that focuses on one of the most overlooked parts of a story. In “Don’t Underestimate the Beginning,” Greg Luti explains why the opening of a piece is often what decides whether a reader stays or leaves. The Beginning Can Make or Break a Story The beginning of a story can really make or break the entire thing. Is that hyperbolic? Eh… not really. The first part is, in my opinion, the most important part of any piece you write. It is the part that gets the reader in. It tells them that whatever the heck you are talking about is worth their time. “Hey, you. Yeah, you! Random stranger, who just so happened to stumble upon these words. They are worth your time. I mean, did you read that first paragraph? Am I right?” Without a captivating beginning, the other parts of the piece don’t really matter, since the reader never really gets that far. Why First Impressions Matter Think about the first part of a story, and then compare it to every other part. We talk about the first part as much as we do the other parts combined. When you query an agent, they want the first part of the book, not the last. When a reader starts a new story, they are obviously starting at the beginning. The header for a piece like this can even determine if you read it at all. And this isn’t just for books, too. How many of us have turned off a song because we didn’t like the first 10 seconds of it? Or how about not finishing a movie because the first scene is dreadful? People judge their interest in an entire piece based upon the quality of the first impression they receive. My Own Beginnings I know that whenever I sit to write something, I make a point to have the beginning be pretty good. At least I try to have it be something a reader may like. I do this for my stories too, where I have the first part be something a reader can get pulled into. My first book, Day in the Life, had no actual action in the first part of the book, but the character’s voice shines through, and the reader is intrigued by what the narrator is talking about. I knew the voice was the grab. In a recent story I am working on, I have two scenes playing simultaneously, so that the readers can get an idea of the two men involved. The two scenes lay out the entire story, and set the tone for what is about to unfold. (I have not announced the title to this story yet) I must admit that the beginning of my current novel, Hit of Henry, is okay, not even that great. Perhaps that is why I am stuck on it right now, since I know that without a good opening, the rest of the piece is playing catch-up. There are a few questions I think people ask when they hear a story: how does it start? How does it end? And what happens? If you don’t know that first part, then you have to ask yourself what it is you are writing. Two Things to Think About There are two things about the beginning to think about for improving it. The first is that the actual writing can be great and get the reader hooked. At that point, the reader may not really bring up the beginning when discussing the book to someone, only that it was very well written. The second thing is what the reader says the start of the story is about. That is the elevator talk. That is the comments at the table that friends have about the book. “Well, what is it about?” That… that question is something you should be able to answer when you are writing your own book. I say this advice about beginning parts, for stories and online pieces like this one. The same idea applies. Yes, there is no story here, but without something to draw the reader in, there are no readers at all. I compare this to fishing…. You can talk all you want about the size of the boat, the quality of the engine, the lines you are using, but if you don’t know where you are going to find those fish, and get them to come to that area, then you are in trouble. You need to get the fish by the boat before you worry about cooking them. Famous Openings I can think of one start to a story that is so well known that we use the line as a separate statement. “It was the best of times, it was the worst of times….” The beginning of the Dickens classic, A Tale of Two Cities, where the opening has become so iconic you will see people in videos and in other forms of media say it as though the line has no story connected to it, as though it is a separate entity entirely. Now, the line is so poetic that it can stand by itself, but it also draws you in and makes you want to read more of the tale. I also remember reading the book Catcher in the Rye as an adolescent and thinking that the first 15-20 pages of the book read smoothly. The writer really knocked that part out of the park, so much so that someone read it and thought, “You gotta make this an entire book.” There is a flow to the first part of that book that is timeless, more than anything that happens in it. And yes, that is the part of the book where the narrator introduces the term phony (or fake person) to the audience. How to Improve Your Beginning So what are some things you can do when you are writing next time, to improve your beginning? Get something you can point to that you know the readers will like. It can be the setup. It can be the style. It can be the mystery. Whatever it is, make sure that there is something that a reader can grab on to. If you can, save some good lines for the opening. You know what I am talking about here. Poetic lines that can be by themselves on a post, or a poster. These lines have a life of their own. They give truths about life to the reader that are not necessarily related to the story. That is good. Keep a few of them for the opening. You want as many good lines as possible in the first part of the tale. Dickens had the lines for his book. Salinger had the term for his. Good execution of a good beginning in a good story can go a long way. Once you know the grab, see if you can insert the beginning into the elevator pitch of the story, the thing you tell people the story is about in a short amount of time. How does the beginning sound then? Does it sound like something someone would want to read? Would you want to read that book? If the answer is yes, then the opening is doing its job. Keep something from the opening for later. Don’t just write a cool beginning, and have a clever elevator pitch and then leave it alone. Remember a part of the beginning that you are going to refer to later in the story. That is a smart way of making the beginning not only readable but functional in the story you are telling. Don’t Treat It Like Just Another Part I can’t stress to you how important the beginning is to whatever you write. Don’t treat it as just another part of the story. Just another thing to put together. Know that those words matter more than the other words, and take the proper steps to help yourself improve them where you can.

A reflective poem that examines the price of the choices we make. In “The Toll,” Greg Luti considers how the sacrifices we accept in pursuit of something we love eventually come due. Three, two, one, it’s over! They won! Oh my god! I can’t believe what just happened! What he just did! That was one of the most amazing sequences I have ever seen. He is definitely going down as one of the best who ever played. Going forward, the defendant will no longer be able to see his children. Not on the weekdays. Not on the weekends. Not even on the short ride home from a friend’s house. For the damage he has caused the prosecution, he will pay half a million dollars a month so they can live a comfortable life. If the accused attempts to see his children, or fails to make the monthly payment, he will be held in contempt of court, with possible wage garnishment or prison time. And with this ruling, the court session has adjourned. Time to pay. Time today. They say you can’t outrun your past. The very things you try to run from in your youth will eventually get back at you. It may not be in the immediacy. It may take some time. But they will be back. And when they do, they will ask for payment. You played the game. You gave up something to get where you are. Now you must pay the toll. All life has tolls you pass by. You get to a toll and are posed the question as to whether you wish to advance, with the promise of payment at a later time, or you turn back and try another route and find another toll to pay. Some wish to never go by any of the tolls, for they fear they will never be able to pay it back. You can’t be in debt if you never take out a loan. You also can’t say anything important if you keep your mouth shut. Others…. Others are fine with waiting on the payment for a later time. They accept the costs and see the potential payoff as far greater. You can’t go anywhere without risk or sacrifice, so they accept those terms and advance. Some of these even imagine that they may not have to pay the toll back one day. But that is not how it works. Of course, there are those who are then put into a system where they have to pay the tolls later. They have no choice. Before they even know they are in debt, they are pushed into a system where the tolls are paid later. They were not aware of the trade they were making. They weren’t even aware of anything happening. They got to the toll, missed it, and kept going forward. Those at the toll saw them, though, and they never forget. For everything in life has a price, even success. No matter what you do, you cannot run from this. Time to pay. Time today. “I guess the biggest regret of my life is that I am not as great of a father to my kids as my dad was to me. I sometimes wake up in the morning, and I remember how my dad would be there at the kitchen table, and we would talk about life and sports and stuff. And then I remember I can’t have that with my kids. I just see an empty table. I wonder if my dad won life in a different way than me. Sure, I won the games, but I mean, he won something else. Mom loves him. I loved him. He had a decent-paying job. And had a good enough home. That is really all a man wants, I feel like… I don’t know… I think I made a deal somehow, one I didn’t know at first.” “Do you mean a deal with the devil?” “No, it was not that kind of deal. I mean, I committed my life to the game I love. Every day I woke up to be the best player I can be. Always improve, I said. Always strive for perfection. Always strive for greatness. And I did. I got into the game early, and I was not aware that no one comes out of it normal. You can’t do what I do and expect to live a life like everyone else. I didn’t know what. My dad, who encouraged my success in the sport, didn’t know that either. I mean, why would we? We only knew I was pretty good at this game, had a passion for it, and that there was a real way for me to be a pro. If I knew…. I don’t know. I think my dad had it right in a lot of ways. He really did.” The new season is upon us all, and let us remember what a great player is like this year. What is greatness? It is winning the game in the final minutes and making championship plays. And there is only one player who showed he can do that time and time again. Every player, I mean, every player is to be compared to him. He set the standard. He is the standard. And if you win, you are only competing against the bar he already set. If we don’t talk about that when bringing him up, then what are we talking about? “Do you miss him?” “Every day. He was my best friend. My coach. My mentor. He was so much more to me than a dad.” “Would you trade a championship to see him again?” “Oh, Jesus…. I…. I don’t know…. I have to think about that one.” “How about a championship to get custody of your kids?” “I… Let’s go to a break.” Time to pay. Time to pay. Did you know it is time to pay? Time today. You have to pay either way.

A writing update that offers an honest look at how one writer approaches publishing. In “Not An Event Writer,” Greg Luti explains why he prefers a low-key way of sharing new work over building hype, and shares his current focus on finishing *Little Fires* and returning to *Hit of Henry*. Not an Event Writer I learned an important lesson about my writing this past week, and that is I am not what you would call an event writer. There will not be a time when I write a book and then spend the next few months getting you all excited for it. I will probably just give you a link to the book, a summary of it and then just move on. That’s how I prefer it. If you want something that’s already out, here it is I know there are some writers who like to make a big deal when they write up a new book. And for good reason, they are popular writers with large fanbases. I am thinking about John Green and George R.R. Martin and how every time they write on a napkin people stop and ask if that will be the beginning of their next book. And when they write something it feels like they take a world tour promoting the thing. As though they are a band like U2. If they are going to go around the world to promote their next release, can they at least go to Antarctica and clear up that nonsense about the ice wall and maybe give us some insight on dragons. (The Ice Wall Dragon does sound like a name of a George R.R. Martin) Anyway, I digress…. If you are one of those writers who makes a killing with this approach, then good for you, because that is one way of going about it. But as for me, I don’t like sitting on one book, and then promoting it everywhere. Can you imagine me going on a tour for the book? I would probably make a joke about Van Halen doing this too, but with more guitar and tighter pants. The Other Kind of Writer Luckily for me, there are writers that have a different method to their success. Those are the writers who glue their hands to the office desk, and don’t stop until the words are done. That or they take some Adderall to stay up for crazy amounts of hours…. Either way, there are writers who value the productivity of their stories rather than business aspect. I look up to them for their persistence with their stories and how even after they write a hit, they go back to the typewriter, or laptop, or whatever it is they use. They just keep writing, and son of a gun, some of those words are not half bad either. I tam talking about Stephen King, and James Patterson here. Sure, that one book they wrote was loved by a lot of people and new readers are being introduced to the writer through that book now, but the writer wrote a book in the meantime, and it is now available too. I like that approach. I actually know more about how they write, more than what they write, if that makes sense. Learning from King and Patterson Stephen King writes, count it, 2K words a day for his daily writing. That is about 8 pages, if you consider the modern novel contains about 250 words per page. Patterson is all about formula. He finds a story, probably one with a crime, and then develops the story more than the words themselves. His outline may be longer than the book he is writing (which I have some disagreement with, but that is for another day) Both have a clear plan for how they write so much, and I try to learn from both. The major lesson is not everything will be a masterpiece. Heck, not everything will be even good. But that doesn’t mean the enthusiasm towards the craft should change. King didn’t stop once he wrote a bestseller. Patterson is still outlining stories with guest writers as we speak. The dedication to the craft is worth more than any sale amount, and I respect that about them. What I’m Working On Now Now let’s get to what I am actually writing, once I am done with my flash fiction collection, which only needs a proofread, I am stuck between finishing a book I have been on for awhile, or working on other more recent works, that are more in my head. I will probably go with current novel, and get it over with already. I already discussed here my theory on story development and creation. I don’t think the story stays in a person’s head the same way over time. The creation is sudden, and that moment the writer feels as though they really have something. Then a week goes by, maybe two, and the writer is still feeling pretty good about the book. By the end of the first month, the book is just there, a project to complete. The emotion behind it is all but gone. It is best to grab the inspiration when you have it, and when it leaves, use your expertise as a storyteller to trim the fat and refine the tale. I heard some writers talk about inspiration for their pieces be very sudden, and almost as though they were given it by some un-seen force, but no one ever focuses on the moment the feeling is gone. I think that happens to writers all the time. I know it does to me. I will be honest, I am at that point with my novel Hit of Henry. I have been with it for so long, that I just want to get the damn thing done with already. Where Are the Stories? I gotta admit a weird trend happening on this site, and I just noticed it. There are no freaking flash fiction pieces or poetry here recently. What is this nonsense, with only writing updates and advice? Where are the stories? I…. I don’t know. I guess I had one, didn’t decide to write it, then had another, chose sleep instead, and then had another and for some reason didn’t write it up either. I don’t particularly like that I have not been writing any of those on the site. I will try to get back into doing it. I want to blame the publication of my flash fiction book coming out, but that is a lousy excuse. Good news this week; I did not miss any writing contests. I didn’t apply to any of them, but hey I can’t say I missed any deadlines. It is kind of like the off-season for a sports team. I didn’t lose any games, but that is mostly because I didn’t play any of them. Upcoming Books I would expect Little Fires, which is the name of my flash fiction book, to be coming out in the next few weeks. After that, it is Hit of Henry. Overall, I have been using this past half week to get some rest. I have been kind of run down lately and I just needed a few days to not write or do much. Did you know that you cannot write a story while you are asleep? Yeah… that is a fact. It turns out that you can get the story idea, but there is no way for you to write the words down. Also, the sleepier you are, the more minor mistakes you make. The words you would never put into the sentence are there, and nonsense is added for no apparent reason. Get Some Rest You probably know what I am going to tell you to do this week, as something to take with you. Get some rest brother. My god. I can see the black under your eyes. You are falling over at the table. Don’t tell me about Redbull or coffee, or some ingenious way you are fighting the exhaustion. You need sleep. I need sleep. We all need some sleep. So do yourself a favor, and go get some. Come back to me when you are fully rested and ready to give your all. Don’t worry, the stories will still be there when you get back.

A writing update that blends personal reflection with creative thinking. In “Comments and Video Games,” Greg Luti discusses getting past social media spam, the unexpected value of reader comments, and how looking at life through a video-game lens helps him make sense of both writing and the world. Out of Facebook Hell I have some good news on the writing front, and that is I am out of what I called Facebook Hell, which is when the spam on the page was so bad the very page was dead. No comments, no shares. Nothing. Only me posting stuff for basically myself. After much clicking and blocking, the page is getting some people actually responding to it. I like reading comments because they are never really something that I think about when I am writing something, whether that is a blog post or a story. I write up something, take out a few quotes for the social media pages, and then someone responds to that line, which has its own meaning. As I was writing, I never thought the one line would get a response, but here we are… Feeling Like a Video Game Character My progress on the Facebook page made me feel like I was a character in a video game, where I now have some decent equipment. I can go around the map and kill some things. I can actually have some fun in the game, rather than just praying that the zombies don’t get too close to me, or I die in a random way because my character is too weak. Nope, I am not there anymore. Thank god for that. I was getting drained from the project, honestly. I swear there was a book I was going to publish recently, but the page was more dead than a corpse, and I had to remedy that issue. Video Games as Analogies I then got to thinking about how video games are quite a popular thing in our society, so much that we like to relate many areas to them, even though we all don’t play them. I have a few examples too. The SAT and Video Game Design Did you know that the modern SAT is modeled after video game level design? Yeah, I am not kidding there. The test that will determine the fate of millions of students has the same setup as a Zelda game. There is a certain irony in that our education system’s most important test takes from video games. See, in video games, you have to get a certain score to move on to the next level. You don’t get the score, you can’t advance. It is that simple. (This is not for every game, but for the most part, if you want to get to the harder levels, you have to prove that you can beat the easy ones) The SAT is like that now. The only way to get the best score possible is to get to the hard module, and how do you get the hard module? You have to get a certain score on the first module you take. No certain score on the first module means you are stuck on the easy module, and your total score is limited. And that school you want to attend is out of reach. I would like to think that there is a video game designer out there that one day thought his game setup would help be a prelude to the SAT test, as a way to get the students prepared for it. (He probably was more worried about the appearance of the game’s newest guns.) Napoleon’s Waterloo Then there was a time I was talking to a buddy of mine, and I mentioned a part of history, and I related it to video games. The event was Napoleon’s Waterloo, the notorious last stand for the French general. I told him that Waterloo is like when you beat a game, and then have an extra level, where the game puts your character back to level one strength with no upgrades and a basic weapon and expects you to fend off all the toughest enemies in the game. That is Waterloo. You really aren’t supposed to win. The odds are too stacked against you. Even the greatest general needs some advantages in a battle. Are We Living in a Simulation? Then there is a third way we use video games, and I have seen this example more than the other two. It is about our reality. I am not sure if you noticed, but your life looks a lot like a Sims character's life, or is it that the Sims character’s life looks a lot like your life? People play video games so much and have watched The Matrix one too many times that they are starting to think that maybe, just maybe, we are in a video game. It is one of those ideas that a character I write about would say in a scene, or flash fiction, as a way to introduce a radical idea to the narrator as a way for them to see the world differently, but not as an absolute truth. The concept is great if you want to teach someone to open their mind and view things from a perspective they have not considered, but not if you want to really get to the bottom of things. The more I think about the simulation theory, which is what it is called, the more the boring answer that we are in reality right now is more likely. You would figure that someone from outside the video game we supposedly are in would enter the game and tell us. “Hey, by the way. You guys are all in a video game. Yup. Video game. That is all this is. I am a developer in the game.” There is no one who ever said that, and probably never will. (Say what you want of religion, they at least have a few individuals who claimed to be from other worlds or places) I also heard someone ask the intriguing question, “If we are in a simulation, how much energy would be required to run a simulation that large? Does that amount of energy even exist?” So yeah, video games are great for analogies and explaining things in life. Also, for shooting things at an unhealthy quantity, but let’s stick to the other two and move away from video games altogether. The Contest I Missed I have a funny story about a recent story I didn’t write. There was a contest for a Freewrite device I was going to enter, and for those who don’t know what that is, it is a laptop without the internet, basically. It is supposed to help with getting into the flow of writing. I have used it a few times, and I do like the device, which is why I still get their emails. There is a Hemingway edition that is really a flex more than anything. I would have it just to show people I had it, and then mention something about him. (But I gotta be real, I am not that much of a fan of the guy. I would do it for Shakespeare though.) Anyway, I waited for the announcement for the contest’s theme to get one of these devices. Oh yeah, I forgot to mention the contest was for a flash fiction piece. I thought I'd do that on my site, so why not spend some time on one for the contest? I went to the YouTube channel where they announce the prompt, because I work during the day and was not going to listen to the livestream for that. I skipped to the part of the video where they named the theme: haunted. I had to write about something haunted. Now, I don’t really do haunted, in case you haven’t figured out my style. I don’t like haunted stories. I never did. I couldn’t get through Frankenstein. I don’t like scary movies. And I never even read King. I don’t do haunted. Now, I had to come up with a story with that as a theme? I went back to my email, the original one that had the submission date, so I could see how much time I had for this contest. The theme lingered in my head. Haunted… you mean like a haunted house? Who the hell wants to write about a haunted house? What is this Halloween? I came up with a funny idea, not even a haunted one. Everyone mocks haunted houses, even me, for the apparent exaggerated tales and misleading information, but no one would want to spend a night in one. I thought I could work with that and was eager to write up the story. I checked the submission date. It was yesterday. I missed it, probably because I was too busy blocking spam accounts on Facebook and thinking about freaking video games. But yeah, I never wrote that story, and I don’t plan on either. Another New Story Idea I actually came up with a cool story idea about a week or two ago. I have a good outline set for it. I am putting the scenes together. And… I just realized this is about the third time I told you guys that. “Hey! I have this great story idea. No words. No chapters. But you have to trust me on this!” That is me explaining every new idea I have. Maybe I should start telling you about the bad story ideas I have, just to change things up. Learn Analogies And now for something that you can take with you. And no, I am not going to give you video game advice on what level to play to upgrade your character faster. Wrong site. Here is something: Learn analogies. Seriously, learn them. Learn how to relate things that are not seen as connected. By doing this, you can help yourself better understand both topics. Start with things that you do every day, and see if there are ways they are showing the same thing. If you want to help make the world easier for you to grasp, learn analogies, and the concepts you thought were too complicated will start to appear much simpler.

A writing and editing advice post that speaks directly to a common fear. In “When No One Reads You,” Greg Luti shares practical ways to stay professional and keep growing even when the audience is small — or not there yet. I was given the site of the month (for July 2026) by Midwest Book Review, which is pretty cool. I try to write practical pieces of advice for other writers on here. I am in the trenches, writing my own stories, and crafting my own plots, so whenever I do give advice, I try to make it something that I would find useful too. Thanks to Jim Cox at Midwest Book Review. I appreciate the shoutout. When No One Shows Up Recently I noticed that a handful of writers mentioned they know all too well about not being read, or by going to a place and not having anyone there read their work. First off, that stinks. I know the feeling too. You put all this time into a story, one you think is worth being read, and then the most you get is nothing more than a few people who modestly care about it. The Upside of Not Being Read But I don’t want to dwell on the bad part of that situation. Anyone can be in that room and let it get them down, but I don’t think we should. We know the empty room, where the manager even decided to leave since they were embarrassed for you, or the lone vendor table where even the people at the fair are looking at you like, “Why is this person here? I guess they ran out of food vendors.” The feeling is bad, but also fleeting. I think there is a good part to not being read, at least for a while. Hey, you don’t have to worry about all those annoying critics and know-it-alls who like to act as though they know your words better than you. That sounds like a win. You also don’t have to worry about bad reviews for your book. That is mostly because you won’t get any, but hey, you can’t say anyone hated your book. I relate that last point to a moment I was talking to a buddy of mine. He said, “Power and money corrupt people.” I joked, “Well, it is a good thing I don’t have either.” Act Professional When No One Shows Up My advice when the event doesn’t go as planned is two-fold. The first is to act professional. Don’t bitch and complain or pretend as though the world owes you anything. They really don’t. Those people who ignore you today may be your fans tomorrow, so show some professionalism in the handling of your event. What does that actually look like? If you are at a book reading, and nobody is there, but you promised the store owner you would read for a certain amount of time, then damnit, read for that time. Or if you go to a fair, and planned on being there for a certain amount of time, and nobody is there, then stay there. Learn From the Failure Now, I have to mention a realistic part to that advice. It is easy for me to say this now. Away from the reading nobody attended, and not at the empty fair. If you say no to reading or decide to leave early, will the world end? No. No, it will not. But that gets me to my second point on why you should treat the event with respect. You want to learn from this. Hey, we all fall down. Everyone makes mistakes and fails. That is life. You are best to learn from this moment and note ways you can make it better. Perhaps you can speak to the store owner about a better time for a reading, or you can see if there are certain things you can market for the next time you are there. You can note that the fair you attended was not a success, but the sign you made for it and the organization you had for your layout were useful. Take that with you. If you are going to lose and not learn from your losses, then you should never expect any change. But if you take the losses as a learning experience, then the odds of success go up. A Reality Check Here is another reality check: That doesn’t mean success is automatic. I am not saying that one change will make everyone in town go to your next book reading, but I also don’t want you to get into your car and say, “Well shucks, that didn’t go as planned. I will get them next time.” How will you get them next time? What is your strategy for next time? When is even next time? My Own Stories of Not Being Read I have a few funny stories about people reading (or not reading me). My first novel was read by all of nobody. I wrote it under a pen name, and now there are no reviews for it, because Goodreads is a pain like that…. Anyway, nobody read it. A cashier looked at the cover of the book when I dropped it off at a local bookstore and said she would read it. I think the store was out of business within a year. (For some reason, all writers think that one store is the beginning of something special. Like the one placement will lead to being a bestseller. I know I was naïve enough to think that.) My family, to my surprise, set up a little get-together where they would celebrate me finishing my first novel. My dad had to trick me into wanting to go to a certain restaurant. I was relaxing and not in the mood to deal with anyone. It was a weekend when I felt more like playing Call of Duty than actually celebrating the book being published. When we got to the restaurant, my family was there to congratulate me on the accomplishment. I didn’t have the heart to tell them that the book would sell all of three copies, all of which I bought, but that is not the point. I learned that I have people who support me, even when I don’t always know if the writing is worth it, honestly. You may not know it, but when you are in the empty room, reading to no one, there are a few people who are happy you are up there and would gladly cheer you on. They aren’t there, but when they learn about you going to a book reading, they would say, “Damn, I wish I was there.” Don’t forget those people. They can help you when you are down, and the words don’t do anything for you. Then there is a second story about me not being read. I used to write on a literary blog, and one of the articles was not well received by a reader. In fact, I was so surprised that anyone read the piece that I was more honored by the insult than anything. I was like Jack Sparrow in that movie. The guy said he would never read the blog again. I thought, “Well, he did read it though.” Not everyone will like your work. It is best to not take it to heart and move on. Anything else is time wasted. How You Handle It Matters Like most obstacles in life, it is not really the obstacle itself, but how you handle it that matters. Failure in writing, in our case, reader reception, is no different. Keep going if you fail. Do your best to make that failure a future success. And heck, consider the experience a free story idea too.

A writing update that mixes practical behind-the-scenes work with honest reflection. In “Facebook Hell,” Greg Luti discusses cleaning up spam on social media, the modern expectation that writers must be personally likable, and his ongoing progress on the flash fiction collection *Little Fires*. Updating the Website Recently I have been doing a few tasks that are not really exciting for readers to learn about, which is of course, why I am going to tell you about them. The first boring task I completed was updating my website to reflect more of the writer in me, not the editor. It used to have more of an editor feel, where you would think I was an editor more than an author, but now I made the site reflect both equally. I do plan on adding more pages to the site, related to the books, but that is not something I am doing right now, since there is another task occupying my time more than that. (That ladies and gentlemen is called a transition sentence. You use it to connect two paragraphs. Now, you know the next paragraph will be about whatever the hell I have been doing aside from updating my site) Facebook Hell I can describe the recent activity I have been doing to help myself as a writer as one that is menial and just freaking awful. As some of you may know, I made the stupid mistake of promoting too much of my Facebook page to spam accounts. I mean, promoting to way too many spam accounts. Well, now I have to get rid of the accounts, one account at a time. Yeah… I also learned that I need the Facebook page as a part of my writing portfolio since Instagram and Twitter/X don’t care all that much about long form written posts, which is my specialty. The phrase I have been using is Facebook Hell, which I am sure there is someone out there who hates Facebook that will say I am being redundant, but that seems cruel. Thinking About Hell The amount of time I have been blocking people has been so taxing on my mind that I have found myself thinking about the very nature of hell, which speaks for my mental strain. I grew up ,like most, thinking that Hell is full of fire and Satan and a bunch of red demons ready to be tricksters and mean to anyone there. We all know Hell is bad, but is it really that bad? I mean, I have seen the Simpsons episode where Homer went to Hell, and it wasn’t that bad. He lived and was fine afterwards. So as much as I know about Hell, I treated it as a place for a time out, a really long time out, more than anything else. I then heard a pastor say that Hell is life without God, and I have been thinking about it in that context ever since. What does life look like without goodness? What happens when the hero doesn’t show up to save the day? What happens when the bad guy gets away with it? Or worse, what happens when the monster that scares everyone doesn’t die? The thought is more terrifying than I originally wanted it to be. We seem to be in a world where no matter how bad it is, we justify the possible appearance of hope, which I get, and want to hear as well. We say that Hitler was evil, but he is dead. The monster in the movie is not real. It was just a movie. The bad people, like the real sickos, will get their due eventually. Even if they do not, we know that the goodness will attempt to win. I guess that is what scares me more about Hell now than the fires I learned about as a kid. What if the bad in the world isn’t stopped? What happens then? Yeah… I know…. It is not the most comforting thought. But whatever that place is, whether it has fire or not, is what I think Hell is. Sure it would be helpful to know more about the place, but let’s be clear, I don’t want to take a tour of the place to learn about it either. I am fine just speculating about Hell. The New Expectation for Creators The other topic that goes through my mind as I am working my way out of Facebook Hell is the creation of a new writer, one I am not sure many realize is happening. First, let me tell you how I got there, and then I will relate it to writing. I was listening to a few comedians on their podcast as I was cleaning up the page. For those that don’t know, comedians on podcast are not really like comedians on TV, or doing standup. They aren’t even always funny. They are just a few guys chilling around talking about something random that happened to them over the weekend. The relaxed nature of the podcast makes for easy listening since the viewer is not actively engaged in the conversation. For example, I was blocking accounts as I listened. I was not listening in and wondering about the conversation. That is the beauty of the podcast. But that is where the problem occurs. See, the person you listen to on the podast, is not the same as the one you see at the comedy club. One is relaxing, just chilling, while the other is actively trying to make you laugh. The first listen has no pressure on the comedian, since you are already doing something else as they speak. The second one, the comedy club show, has pressure on the comedian since you are there to actively laugh. That gets me to my point. It seems you can’t really be a professional today, if you are not well-liked. I don’t mean respected for your work, but liked in a way that you become a character in the eyes of the audience. Think about it, if a person has a bad attitude or is just a jerk, and podcasts or weekly appearances are important to being relative, then that person is in trouble, regardless of how talented they are. Do You Have to Like the Writer? I think of two writers for this: JK Rowling and Stephen King. I don’t know if I can tell you if they are even nice people or not. I can count on one hand how many times I have seen them in interviews. They just don’t do it that much, and never did. Even Rowling got in trouble for her political views, and that is a reflection for how we want to like our idols more than anything they actually believe in. It brings up a question I have: Why do you have to like the writer? Says who? I honestly don’t know if I would get along with F. Scott Fitzgerald, or even like him, but does that make him any less of a writer. I am learning that society is giving insights to who we are, even when we all feel like we are just acting as though we should or try our best to help. There are a lot of questions in this world, and you are answering them, and so am I, whether we want to or not. Book Updates Now to give you an update on my books, I got about half way done with the proofreading for Little Fires, my flash fiction book. I think my other short story book Everything Must Go is only in print form, since I had a problem putting it in digital form when I originally published. (I have to get to fixing that eventually) Cry, Smile, and Laugh And now for something that you can take with you: I once heard someone say that a great day is one where you cry, smile, and laugh. Maybe there is some truth to that. Learn what makes you cry, since that shows what makes your heart feel. Know what makes you smile, since those are the things you want to keep close to you. And learn what makes you laugh, since laughter shows the stress of life hasn’t gotten to you yet. Next time you do one of those things, keep note, since those are the actions that define what makes you go.

A flash fiction story that captures a quiet domestic moment filled with quiet contrast. In “Letter Of The Day,” Greg Luti places a toddler’s simple play against the backdrop of adult conversations about war, celebrities, and the weight of the wider world. A child of no more than two years old and a grandma sit in the living room, getting ready for the afternoon they are going to spend together. On the floor, the child is playing with his toy cars, as the grandma is watching the news. The TV is discussing the latest tragedies of the world. They had just finished covering a house fire in the next town and had moved on to the war, and how the worst part is not the deaths. The uncle, a spitting image of the nephew at that age, walked into the room, hearing his buddy had arrived. “Is that Marky Mark?” The uncle went up to the child who was on the floor playing with his toys. The child smiled and greeted his uncle, who patted the child on the head. “Are you going to make a rap song and somehow have an acting career longer than most can hold a job?” The uncle addressed his mom. “I don’t know how that guy had such a long career. I did like him in that football movie he was in.” He went back to talking to his nephew. “Remember Marky Mark, playing football causes CTE, which is not good. We don’t want CTE, because that means Marky Mark’s brain is hurt. We gotta keep that brain of yours healthy, buddy.” The child continued to play with his cars, attempting to push them back and forth. The grandma’s eyes were fixated on the segment about the latest war efforts of their country. Recently, it had been revealed that both sides were being armed by their own country. Many now suspect the country never wanted the war to end. “What happened? Another attack?” The uncle asked. “No. Apparently we are trying to fight both sides. We are giving weapons to both our enemies and our allies.” “Who are our enemies again?” “I don’t even know.” She commented. “What are you guys doing today?” “Once Dad gets home, we are going for a walk with him. Then we are going to get some lunch.” The grandma said. “Oh, that is nice.” The uncle went to sit down, as though he had just run a mile. The reporter on the TV asked, “This has to be the most pressing topic of our time. A topic all will be wondering about.” The uncle sat on the couch half-paying attention to the TV. He wore his T-shirt, one he had worn for the past three days, and his boxers, which were fresh. His nephew was on the ground by the TV, playing with his cars. The child had yet to figure out direction and did not know if he pulled the car back, the car would then release to go forward. The grandma sat on the other end of the couch watching the screen. She was ready to try out her new walking shoes when they went for a walk today. The uncle sarcastically responded to the reporter on the TV, as though she was talking to him. “Oh really, I thought it was the growth of oligarchical influence threatening to overtake democratic principles we all hold so dear to our hearts, leaving us in a country we don’t recognize, until we all wake up one day and see that there are two laws: those for the rich and those for everybody else.” He got up to play with the child. “There is a third law for criminals, but we don’t talk about that one, buddy. It is bad to steal.” The child in the room continued to play with his toys, unaware of his uncle’s rant. “What do you think, buddy?” He asked his nephew. “Do you think we are becoming an oligarchy, or are we isolating ourselves by not committing to a side in the war?” The child finally pushed the toy across the room. When it flew across the floor, he looked at his uncle, amazed at what he just discovered. “I agree. It is probably both.” The grandma in the room sensed the inappropriate nature of the coverage. “I am going to change the channel.” She took a moment to properly move the remote so that it was pointing directly at the TV and then switched the viewing to a children’s show. “Yeah, it is probably best you do. He doesn’t need to see this.” The characters on the TV screen were from a show the uncle grew up watching as a kid and were all singing a song for the letter of the day, a theme on the show. The child started bopping his head up and down to the song, as the uncle sang, “Letter of the day. Letter of the day. Do you know the letter of the day?” He stopped singing as the child’s face was fixed on the screen. “The letter of the day is f, by the way.” The uncle addressed the grandma, “Yeah, this is better for him.”